Lost Leaders: Countdowns and the Metadata of Film (2011 – )

Matt Soar (Concordia University) with Jackie Gallant

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Lost Leaders #6 (stills)

July 15, 2013

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By: MattFiled under Work in Progress. Bookmark the permalink.

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←Older: Lost Leaders #5 (interactive)

Working with video as a field of thumbnail-size compositions, each with sound.

WATCH/PLAY: Lost Leaders #5 (Korsakow)

NB Korsakow films do not currently play on mobile devices …

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Newer: Lost Leaders #7 (short film)→

Layers of 35mm found footage being passed under a digital microscope. (Extreme close-up of handwriting on movie trailer leader.) Sound design by Jackie Gallant. Edited …

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  • Take me to your leaders!

    I am always interested in collecting more leaders: the ordinary, the obscure, or downright peculiar. Any language, any format, any condition; with or without the 'actual' films attached. Just let me know! In most cases I can pay reasonable shipping costs, or collect (depending on location).

  • Recent Updates

    • ATypI 2017 (Montreal)
    • NASA Film Leader
    • The Beginnings and the Ends of Film (The Moving Image, Fall 2016)
    • Academy / Society / Universal: 3 Handwritten Leader Standards (2016)
    • Spring 2017 Update
    • Talk: Orphans X (Culpeper VA 2016)
    • Lost Leaders #18 ‘Handwritten Universal (PH22.55-1966)’
    • Handweaving (short film) – back to the beginning

  • About

    This research-creation project is the work of Matt Soar, intermedia artist, filmmaker, and Professor of Communication Studies at Concordia University in Montreal, in occasional collaboration with sound artist Jackie Gallant.

  • Credits

    I am indebted to Snowden Becker (UCLA) in particular, and: Library of Congress (George Willeman, Michael Hinton, Mike Mashon, Laurel Howard), Dan Streible (NYU), Margaret Compton (Walter J. Brown Media Archives & Peabody Awards Collection), Craig Baldwin, Rick Prelinger (USC), Stephen Parr (Oddball).

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  • ©2011 Lost Leaders: Countdowns and the Metadata of Film. All rights reserved. From 2011 to 2014 Lost Leaders was indirectly supported by a research-creation grant from the Social Sciences and Humanities Research Council of Canada. It’s currently running on a wing and prayer.

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